When you look back at some of the roles actor Seann William Scott has played over the years, the term “role model” isn’t one of the first things that comes to mind. Most of them tend to center around chauvinistic, moronic, and promiscuous characters. (His Steve Stifler alone probably caused fathers of high-school-aged daughters to scale way back on curfew hours.) In Role Models, his alpha-male tendancies are balanced out well with the softer Paul Rudd.
Working as energy-drink peddlers and anti-drug spokesmen, Wheeler (Scott) and Danny (Rudd) visit high schools to give students a caffeinated alternative to getting high. Wheeler loves his job as the company’s official mascot, the mythological Minotaur, because it allows him to half-ass his way through life and focus on more important things, like getting laid. Danny, however, is bored and frustrated, and it’s affecting his relationship with his successful-lawyer girlfriend (Elizabeth Banks), who is fed up with his resentfulness. When Danny reaches his boiling point (they have a little mishap with their company monster truck), he and Wheeler are sentenced to 150 hours of community service at Sturdy Wings, a Big Brother-type organization run by rehabilitated bad girl Gayle Sweeny (Jane Lynch).
There, Wheeler and Danny are matched up with two kids: Augie Farks (Christopher Mintz-Plasse, aka McLovin from Superbad, who avoids the Jon Heder Napoleon Dynamite typecast trap by actually staying funny after his nerdy breakout role), a lonely teenager caught up in his own little world of medieval role-playing, and Ronnie Shields (Bobb’e J. Thompson), a foul-mouthed grade-schooler raised by a single mother and obsessed with “boobies.” Ronnie has managed to scare off every one of his “bigs,” but Wheeler knows if he doesn’t get through this mandated mentoring program he’s going to be thrown behind bars, where he’s more than sure his pretty-boy image will attract unwanted physical attention. While Wheeler has trouble with his “little,” Danny is just trying to pass the time watching Augie pretend sword fight without really connecting with him on a personal level.
Many viewers might be unfamiliar with director David Wain’s comedy (he helmed and starred in the short-lived MTV series The State in the ’90s), but Role Models is a version of what he and some of the show’s original cast members can do with a more mainstream script. It’s not nearly as deadpan as The State (the vulgarities are many), but Rudd, as a first-time screenwriter who has probably been taking notes while on the set with director-writer-producer Judd Apatow on so many occasions, adds a hipper sense of humor and heart that has made comedies like The 40-Year-Old Virgin and Knocked Up more entertaining than your run-of-the-mill R-rated shtick. •