Alamo City Opera
Liz Bouk stars as Hannah After in the Texas premiere of As One.
Since its New York premiere in 2014, Laura Kaminsky’s chamber opera As One
has earned significant buzz while challenging the often-overstuffed confines of opera itself. Counted by Opera America
as “the most produced new opera in North America” and dubbed by the Los Angeles Times
as “the every(wo)man transgender opera,” it employs a minimalist cast of two singers to embody a sole protagonist on a poignant path of self discovery.
Essentially the coming-of-age story of a transgender woman named Hannah (with a baritone portraying Hannah pre-transition and a mezzo-soprano post-transition), As One
plays out against a backdrop of video projections while a string quartet pushes the narrative through 15 diverse songs.
As the presenter of As One
’s Texas premiere (starring Liz Bouk and Jose Rubio with musical accompaniment by Camarata San Antonio), Alamo City Opera has assembled “a committee of persons representing members from the gay, opera and transgender communities” for a Transgender Awareness Public Forum in advance of this weekend’s performances (set for January 19-20 at UTSA’s Buena Vista Theater).
Moderated by Rivard Report
publisher/editor Robert Rivard, the discussion brings together the voices of local dramatist Greg Hinojosa, vocalist Ken Slavin (San Antonio AIDS Foundation), Alamo City Opera founder Mark Richter, LGBTQIA* leader Robert Salcido (Pride Center San Antonio), and transgender activists and leaders Eric Macias, Ashley Smith and Ruby Corado, among others. In addition, As One
creator/composer Laura Kaminsky will be on hand to shed light on “the power of opera in bringing contemporary themes to the forefront of a city’s culture fiber.”
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