When: Fri., Feb. 26, 8 p.m. 2016
SPONSORED -- A musical force equipped with the soulful vocals of Janis and the guitar slinging skills of Stevie Ray, Carolyn Wonderland reaches into the depths of the Texas blues tradition with the wit of a poet. She hits the stage with unmatched presence, a true legend in her time. The title track of Marcia Ball’s new album, The Tattooed Lady And The Alligator Man, is an irresistible tale of true love at the travelling carnival. It’s a story that nobody but Ball could spin, filled with vivid details, universal truths, and a rambunctious sense of fun and desire. With raucous horns punctuating Ball’s legendary piano pounding and emotional, melodic vocals, the song kicks off the CD of eleven originals and one glorious cover (Hank Ballard’s He’s The One). The release mixes Ball’s Gulf Coast blues, New Orleans R&B, swampy Louisiana ballads, and jumping, Tex-Mex flavored zydeco into a one-of-a-kind musical gumbo, a sound she has been perfecting over the course of her legendary career. Some people enter a room and blend right in. Not Shelley King. She sweeps in, carrying herself with the strength and assurance of a woman who knows how to step up and get it done, whether “it” is leading her band, running her own record label or co-producing her new album, Building A Fire.