Director: Robert Schwentke
Screenwriter: Robert Schwentke
Cast: Morgan Freeman, John Malkovich, Helen Mirren, Bruce Willis
Release Date: 2010-10-13
Never mind the swift hand-to-hand combat skills Zoe Saldaña shows off in The Losers or the way Angelina Jolie leaps off highways and onto the tops of big rigs in Salt; nothing says sexy CIA spy like Dame Helen Mirren playing shoot-’em-up behind a semi-automatic.
In RED, an action-comedy adapted from a limited DC Comics series short for “retired, extremely dangerous,” gray hair proves to have a correlation not only with experience and ingenuity, but also an itchy trigger finger when a team of former black-op CIA agents reunite for one last cross-country firearms romp before their Social Security kicks in.
Playing a tough old dude again (most recently in a forgettable Expendables cameo), Bruce Willis has a little fight left in him as Frank Moses, the youngest of the retirees who has been spending his free time watching his avocado plant sprout two measly leaves and making excuses to phone flirt with Sarah (Mary-Louise Parker), the woman who cuts his pension checks.
When Frank becomes the target of a group of hit men, he kidnaps Sarah to ensure her safety (worst way to get a date ever) and rallies his squad of former colleagues, including retirement home resident Joe (Morgan Freeman), paranoid spook Marvin (John Malkovich), and hobbyist/freelance contract killer Victoria (Mirren), to break into CIA headquarters and expose a major political cover-up.
The mission isn’t all that challenging for director Robert Schwentke (The Time Traveler’s Wife) and screenwriters Jon and Erich Hoeber (Whiteout), who allow the geezers to come and go as they please with tons of firepower but precious little explanation. More importantly, the script maintains a playful tone and rarely takes any shortcuts by harping on the obvious, like in 2000’s Space Cowboys, meaning no jokes about MediCare, wrinkly asses, and drinking Ensure.
Instead, RED relies on its talented cast to deliver the shrewd sarcasm and a few far-fetched action sequences that make most of the film so enjoyable. While Freeman and Parker are underutilized for the most part, Malkovich is able to chew up scenery effortlessly (grenade baseball should be an Olympic sport), and Willis gives Die Hard fans reason to expect more yippee-ki-yaying before it’s all said and done.
Sure, comic-book-inspired movies don’t necessarily get better with age, but just because our heroes are on the wrong side of the half-century mark doesn’t mean things have to go downhill fast. With RED, it feels good to pump the brakes a bit and revel in the ridiculousness of it all.